youranonnews:

“Our strategy should be not only to confront empire, but to lay siege to it. To deprive it of oxygen. To shame it. To mock it. With our art, our music, our literature, our stubbornness, our joy, our brilliance, our sheer relentlessness – and our ability to tell our own stories. Stories that are different from the ones we’re being brainwashed to believe. 
The corporate revolution will collapse if we refuse to buy what they are selling – their ideas, their version of history, their wars, their weapons, their notion of inevitability. 
Remember this: We be many and they be few. They need us more than we need them. 
Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.” 
~ Arundhati Roy

youranonnews:

“Our strategy should be not only to confront empire, but to lay siege to it. To deprive it of oxygen. To shame it. To mock it. With our art, our music, our literature, our stubbornness, our joy, our brilliance, our sheer relentlessness – and our ability to tell our own stories. Stories that are different from the ones we’re being brainwashed to believe. 

The corporate revolution will collapse if we refuse to buy what they are selling – their ideas, their version of history, their wars, their weapons, their notion of inevitability. 

Remember this: We be many and they be few. They need us more than we need them. 

Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.” 

~ Arundhati Roy

(via tiffanyschroeder)

totalfilm:

Black Gold review

Yes, I have now heard about the Ryan Murphy “We made two girls scissor! What more can we do for you?” comments from the yet-to-be-aired Inside the Actors Studio. And, no, I cannot properly comment on that without a fifth of whisky and baseball bat. But, needless to say, if Ryan thinks what Brittany and Santana were doing on that bed was actually scissoring, he is more confused about what constitutes lesbian sex than I even thought possible.

Dorothy Surrenders

( full article

(via x-backtoblack-x)

[Flash 9 is required to listen to audio.]

ladyxgaga:

Lady Gaga - Christmas Tree [Demo]

(via thatboyisamonnster)

The Revolution That Wasn’t

thenewinquiry:

by Matt Pearce

“I am not a hero. I was only using the keyboard, Mona, on the internet, I never put my life in danger, the real heroes are the ones on the ground. … This revolution belonged to the internet youth, then the revolution belonged to the Egyptian youth, then the revolution belonged to all of Egypt. It has no hero, no one should steal its thunder, we are all heroes.”
—Wael Ghonim, Google executive and an architect of Egypt’s January 25 revolution; interview (in Arabic) on Dream TV, February 7, after release from imprisonment

November 20, 2011

They were doing it for dignity, they were doing it for Egypt, they did it for their sons and daughters and the wives they didn’t have yet, they did it for the hell of it, they did it because Fuck the Police, they did it just to do it in the street where everybody else was doing it: These mostly young men, wrapped in dark jackets and keffiyehs, breaking up sidewalks with poles and small boulders to create more ammunition to throw at the state security forces with frightening, insane confidence. They did it because it was now November and no longer January, they did it because they wanted their revolution back, they did it because they’d gotten used to doing it and had sworn they’d do it again.

They’d been throwing rocks since afternoon after setting a police truck afire and had gotten quite organized by the time I arrived at Tahrir Square after midnight. Self-appointed watchmen banged on the metal railings to warn where there was imminent danger, which seemed like it was almost everywhere, and volunteers lined up with vinegar and solution to purge the tear gas from stinging eyes and lungs as medical staff organized field hospitals to handle the wounded, whose numbers had already reached the hundreds. They’d seen this all before, after all. They were men of the square, there to fight and perhaps to die, and if they were to die, they already knew how they would go about it.

Read More

(Source: thenewinquiry)

Film Studies For Free: FSFF's Favourite Online Film Studies Resources in 2011

feministfilm:

mootpoint:

So much good stuff here!

This is really useful and interesting. Also, I also would like to recommend the Directory of Open Access Journals, and especially the journals GendersOutskirts, The Scholar & Feminist Online, Thirdspace, Visual Culture & Gender, n.paradoxa, (for gender studies), Cinema, Excursions, Film-Philosophy, The Irish Journal of Gothic and Horror Studies (for film & culture). DOAJ lists a lot of journals in languages other than English, so please take advantage of it! 

bbook:

For his final school video project, Archie announces that he’s going to  film his own suicide. That’s when his life really seems to begin. In the  dark, funny Archie’s Final Project, filmmaker Gabriel Sunday  stars as the title character, a high-schooler so saturated with media,  that he’s lost all sense of reality. Sunday spent over three years  shooting and editing it, and essentially becoming Archie, himself. The  result is a total mindfuck. We enter Archie’s world through a bizarre  mash-up of animation, manipulated footage, 1950s-style PSAs, while  following a narrative that’s as morbid as it is moving. With an enormous youth following on the internet and myriad awards to it’s name, this “self-inflicted comedy,” is  blowing up. We caught up with Sunday to talk about getting the film’s  proper message across, what connects him to Archie, and that “freaky  David Carradine sex thing.”
Gabriel Sunday on Archie’s Final Project

bbook:

For his final school video project, Archie announces that he’s going to film his own suicide. That’s when his life really seems to begin. In the dark, funny Archie’s Final Project, filmmaker Gabriel Sunday stars as the title character, a high-schooler so saturated with media, that he’s lost all sense of reality. Sunday spent over three years shooting and editing it, and essentially becoming Archie, himself. The result is a total mindfuck. We enter Archie’s world through a bizarre mash-up of animation, manipulated footage, 1950s-style PSAs, while following a narrative that’s as morbid as it is moving. With an enormous youth following on the internet and myriad awards to it’s name, this “self-inflicted comedy,” is blowing up. We caught up with Sunday to talk about getting the film’s proper message across, what connects him to Archie, and that “freaky David Carradine sex thing.”

Gabriel Sunday on Archie’s Final Project